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https://evnuir.vnu.edu.ua/handle/123456789/16608
Title: | Архетип Любви в духовной визии Леси Украинки и его музыкальный дискурс |
Other Titles: | The Love archetype in Lesya Ukrainka’s spiritual vision and it’s musical discourse |
Authors: | Драганчук-Кашаюк, Виктория Николаевна |
Bibliographic description (Ukraine): | Драганчук-Кашаюк В. Архетип любви в духовной визии Леси Украинки и его музыкальный дискурс. Ars inter culturas. Estetyka – Edukacja – Wielokulturowość. Т. 7. 2018. S. 111–122. URL : https://aic.apsl.edu.pl/index.php/1 |
Issue Date: | 2018 |
Date of entry: | 16-Dec-2019 |
Publisher: | Czasopismo Akademii Pomorskiej w Słupsku |
Keywords: | Lesja Ukrainka’s creation Love archetype opera ballet vocal lyric musical discourse Ego-concept Femin-personalism творчість Лесі Українки архетип Любові опера балет вокальна лірика музичний дискурс Его-концепт фемін-персоналізм творчество Леси Украинки архетип Любви вокальная лирика музыкальный дискурс Эго-концепт фемин-персонализм |
Abstract: | The discourse of the Ukrainian musical culture is contains numerous appeals to the poetic legacy by Lesya Ukrainka. Therefore, understanding the musical-theatrical, choral, chamber-vocal works by M. Lysenko, K. Stetsenko, Y. Stepovy, S. Lyudkevych, M. Skorulsky, S. Turkevych-Lukiyanovych, V. Kyreiko, I. Shamo, Y. Stankovych, L. Dychko, O. Kozarenko, V. Tymozhinsky and other composers who entered into a musical and poetic dialogue with the poetess, is provides an understanding the key positions of the poet’s philosophy. In our opinion, a new spiritual vision was born in the Lesya Ukrainka’s creative matrix, which embodied the Ukrainian mental Ego in the female image of a spiritual knight and presented it as a weighty component of world culture. More than a hundred years ago, the poet showed a woman’s personality as a com-creator, which has a divine beginning, and therefore we interpret its philosophy in the vein of Femin-personalism (the term is proposed). The three Love types which were shown in Lesya Ukrainka’s works and in her musical discourse are as follows: Ancient Greek „agapeˮ (in variants Love-Spirit, Love-Soul, Love-Eros), Love as a component of national Ego-concept, Love as an immortal divine spirit. The musical discourse expects the interpretation of the drama „Obsessedˮ and others from the „Blue Roseˮ to „Cassandraˮ, „In the Catacombsˮ, „Rufin and Priscillaˮ and others. |
URI: | http://evnuir.vnu.edu.ua/handle/123456789/16608 |
Content type: | Article |
Appears in Collections: | Наукові роботи (FKiM) |
Files in This Item:
File | Description | Size | Format | |
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zmist.pdf | зміст журналу | 868,14 kB | Adobe PDF | View/Open |
Kashaiuk (Drahanchuk) V._doctor_18.pdf | основний файл | 928,1 kB | Adobe PDF | View/Open |
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