Please use this identifier to cite or link to this item: https://evnuir.vnu.edu.ua/handle/123456789/16608
Title: Архетип Любви в духовной визии Леси Украинки и его музыкальный дискурс
Other Titles: The Love archetype in Lesya Ukrainka’s spiritual vision and it’s musical discourse
Authors: Драганчук-Кашаюк, Виктория Николаевна
Bibliographic description (Ukraine): Драганчук-Кашаюк В. Архетип любви в духовной визии Леси Украинки и его музыкальный дискурс. Ars inter culturas. Estetyka – Edukacja – Wielokulturowość. Т. 7. 2018. S. 111–122. URL : https://aic.apsl.edu.pl/index.php/1
Issue Date: 2018
Date of entry: 16-Dec-2019
Publisher: Czasopismo Akademii Pomorskiej w Słupsku
Keywords: Lesja Ukrainka’s creation
Love archetype
opera
ballet
vocal lyric
musical discourse
Ego-concept
Femin-personalism
творчість Лесі Українки
архетип Любові
опера
балет
вокальна лірика
музичний дискурс
Его-концепт
фемін-персоналізм
творчество Леси Украинки
архетип Любви
вокальная лирика
музыкальный дискурс
Эго-концепт
фемин-персонализм
Abstract: The discourse of the Ukrainian musical culture is contains numerous appeals to the poetic legacy by Lesya Ukrainka. Therefore, understanding the musical-theatrical, choral, chamber-vocal works by M. Lysenko, K. Stetsenko, Y. Stepovy, S. Lyudkevych, M. Skorulsky, S. Turkevych-Lukiyanovych, V. Kyreiko, I. Shamo, Y. Stankovych, L. Dychko, O. Kozarenko, V. Tymozhinsky and other composers who entered into a musical and poetic dialogue with the poetess, is provides an understanding the key positions of the poet’s philosophy. In our opinion, a new spiritual vision was born in the Lesya Ukrainka’s creative matrix, which embodied the Ukrainian mental Ego in the female image of a spiritual knight and presented it as a weighty component of world culture. More than a hundred years ago, the poet showed a woman’s personality as a com-creator, which has a divine beginning, and therefore we interpret its philosophy in the vein of Femin-personalism (the term is proposed). The three Love types which were shown in Lesya Ukrainka’s works and in her musical discourse are as follows: Ancient Greek „agapeˮ (in variants Love-Spirit, Love-Soul, Love-Eros), Love as a component of national Ego-concept, Love as an immortal divine spirit. The musical discourse expects the interpretation of the drama „Obsessedˮ and others from the „Blue Roseˮ to „Cassandraˮ, „In the Catacombsˮ, „Rufin and Priscillaˮ and others.
URI: http://evnuir.vnu.edu.ua/handle/123456789/16608
Content type: Article
Appears in Collections:Наукові роботи (FKiM)

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