Проблема знаковості в поетичному мовленні ХХ ст.

Abstract

У статті за допомогою семіотичних одиниць досліджуємо мовленнєву картину представників сучасного літературного процесу. Проаналізовано особливості поетичного мовлення з погляду лінгвосеміотики задля досягнення нових знань про знакове мислення й мовлення. The development of theoretical foundations of the theory of characters states that the signed perception of objects, animate and inanimate beings, all phenomena of reality is natural for a person of any age and gender. Following the reflection about symbolic signification, the perception was conditionally divided into consciousness and unconsciousness. Unconsciousness perception of something as a sign is not the reason to disclaim the phenomena of semiotic representation of reality in the human brain. Written language as a method of fix the thoughts occurred at the stage of «Homo sapiens» formation, is evidently expressed and perceived signification of the idea and the impression from seen and outlived. Signed mentality is a common practice since ancient times till nowadays. The theoretical works of scientists give reason to believe that manipulation (use) of signs, as the perceived representant senses, is more inherent for poetic speech than for usual. The origin of the sign language is closely related to a native speech of particular ethnic group, containing the spirit of the people as a nation, it suggests also the idea that the lingual sign, from the particular research standpoint, is a way to recognize an ethnic accessories of the author and his works, the method of identification and definition of the ethno-national resemblance.